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Review
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno callsvirtual migrations. This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music... (William Straw, professor of communication studies, McGill University)
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and mediatechnologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls "virtual migrations." This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music. (William Straw, professor of communication studies, McGill University)
From the Back Cover
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines rich ethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls 'virtual migrations.' This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music.
Reviw Source: William Straw, McGill University
About the Author
Sheenagh Pietrobruno is a Postdoctoral Research Fellow at Goldsmiths College, University of London.
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