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Kissing the Witch: Old Tales in New Skins By Emma Donoghue

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Sales Rank: #48888 in Books
Brand: Harper Teen
Published on: 1999-02-27
Released on: 1999-02-27
Original language: English
Number of items: 1
Dimensions: 8.13" h x .55" w x 4.75" l, .40 pounds
Binding: Paperback
240 pages

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Amazon.com Review
At age 28 Emma Donoghue is already a marvel. The author of two critically acclaimed novels, a fascinating work of lesbian history, and a series of successful stage plays, Donoghue can apparently do anything. With Kissing the Witch, a collection of revisionist fairy tales, she has proven once again that she is a great writer. In these 13 interconnected tales she finds new meanings in old stories: Cinderella runs off with her fairy godmother, Snow White's awakening is more erotic than romantic, and Rapunzel discovers that her freedom, although not her salvation, is in her hair. Donoghue writes about women, some lesbians and some not, and makes them the center of her fantastical world. The bold, daring boys of the Grimm tales are not here, but in their place are vibrant, knowing, and brave women and girls who are finding out what the world holds for them.

From Publishers Weekly
Of this collection of 13 revisionist, overtly feminist fairy tales, PW said, "Sophisticated teenagers (and adults too) will be mesmerized by the powerful voices and intricate structure, while the lesbian endings promise controversy." Ages 12-up. (Apr.) r
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
Grade 8 Up. Donoghue has shaped this collection around several traditional and literary fairy tales. What sets it apart from all the other retold tales is that the heroines realize that they are more interested in the princess, witch, or local farm girl instead of the prince, merchant, or woodsman. Each story is loosely connected to the next by the narrator asking another character how they came to be in a particular situation and the answer, "It is the tale of an apple" (or a handkerchief, hair, a needle, etc.) This device cleverly unites the pieces into a seamless, if lifeless, whole. The female characters, while never really demanding any emotional involvement of readers, are at least complex enough to be neither entirely good nor entirely evil. However, the male characters are all weak, stupid, boorish, or a combination of the three. This one-dimensional treatment makes for very dull reading. Like Francesca Block's work, Donoghue's writing is built on vivid images. Unlike Block, she fails to use that skill to sustain a sense of place or bring a character to life. Though Snow White, the Little Mermaid, Cinderella, Beauty, and others roam through the pages, their voices are dismally similar, with the exception of Gretel, who hasn't mastered speaking in whole sentences, and becomes, by default, the only memorable character in the book. The author must be applauded for wishing to provide teen girls enduring the painful process of coming out with characters who are reassuringly similar. However, even when these protagonists are describing their own treachery, their own fears, or their own sorrows, their emotions never break through the fog of monotone narration.?Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA
Copyright 1997 Reed Business Information, Inc.

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